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Henry Philmore " Harry" Langdon (June 15, 1884 – December 22, 1944) was an American actor and comedian who appeared in , (where he had his greatest fame), and talkies.Obituary Variety, December 27, 1944, page 39.


Life and career
Born in Council Bluffs, Iowa, Langdon began working in and while in his teens. In 1906, he entered vaudeville with his first wife, . By 1915, he had developed a sketch named "Johnny's New Car", on which he performed variations in the years that followed. In 1923, he joined Principal Pictures Corporation, a company headed by producer . He eventually went to The Mack Sennett Studios, where he became a major star.Harter, Chuck and Michael J. Hayde; Little Elf: A Celebration of Harry Langdon (BearManor Media, 2012). At the height of his film career, he was considered one of the four best comics of the silent film era. His screen character was that of a wide-eyed, childlike man with an innocent's understanding of the world and the people in it. He was a first-class . Most of Langdon's 1920s work was produced at the famous studio. His screen character was unique and his antics so different from the broad Sennett slapstick that he soon had a following. Success led him into feature films, directed by Arthur Ripley and . With such directors guiding him, Langdon's work rivaled that of , , and . Many consider his best films to be The Strong Man (1926), Tramp, Tramp, Tramp (1926), and (1927). Langdon acted as producer on these features, which were made for his own company, The Harry Langdon Corporation, and released by First National Pictures.

After his initial success, Langdon fired Capra and directed his own films, including Three's a Crowd, The Chaser, and Heart Trouble, but his appeal faded. These films were more personal and idiosyncratic, and audiences of the period were not interested. Capra later claimed that Langdon's decline stemmed from the fact that, unlike the other great silent comics, he never fully understood what made his own film character successful. However, Langdon's biographer , among others, expressed skepticism about this claim, arguing that Langdon had established his character in vaudeville long before he entered movies, added by the fact that he wrote most of his own material during his stage years. History shows that Langdon's greatest success was while being directed by Capra, and once he took hold of his own destiny, his original film comedy persona dropped sharply in popularity with audiences. This is likely not due to Langdon's material, which he had always written himself, but due to his inexperience with the many fine points of directing, at which Capra excelled, but at which Langdon was a novice. On the other hand, a look at Langdon's filmography shows that Capra directed only two of Langdon's 30 silent comedies. His last silent film, and the last one Langdon directed, Heart Trouble, is a "", so it is difficult to assess whether he might have begun achieving a greater understanding of the directorial process with more experience. The coming of sound, and the drastic changes in cinema it engendered, also thwarted Langdon's chances of evolving as a director and perhaps defining a style that might have enjoyed greater box office success.


Transition to sound films
Langdon's babyish character did not adapt well to sound films; as producer remarked, "He was not so funny articulate." Roach starred Langdon in eight sound shorts in 1929–1930, which were not popular enough to keep the series going. Langdon did land occasional one-shot roles in feature films, including See America Thirst (Universal, 1930), opposite , and Hallelujah, I'm a Bum (United Artists, 1933), opposite .

Langdon was still a big enough name to command leads in short subjects. He reunited with his Sennett co-star for a series of two-reelers with Educational Pictures in 1932-34. Columbia Pictures, initiating its own short-comedy unit, hired Langdon away from Educational in 1934. In 1938, beginning with the Columbia short A Doggone Mixup, Langdon adopted a Caspar Milquetoast-type, henpecked-husband character that served him well. He alternated this new character with his established "helpless innocent" character.

Langdon was considered to be the live-action role model for Dopey in Snow White and the Seven Dwarfs, but rejected the idea. Eddie Collins played the role instead.

(2026). 9780195167290, Oxford University Press.

In 1938 Langdon returned to the Hal Roach studio for a surprise guest appearance in the feature There Goes My Heart. While at Roach he contributed to comedy scripts as a writer, notably for Laurel and Hardy. When 's contract with Roach expired, 's contract was still in force, leading Roach to cast Langdon opposite Hardy in the 1939 antebellum comedy Zenobia.


Comeback
In 1940 Harry Langdon made a comeback as a starring comedian in feature-length films. Misbehaving Husbands (1940) was a domestic comedy with Langdon using his henpecked-husband character. It was also a comeback film for the director, , an important silent-film director whose fortunes had declined by the late 1930s. Although Misbehaving Husbands was produced and released by PRC, the tiniest of the Hollywood studios, Langdon and Beaudine received critical raves for their work: "Preview house rewarded them with practically solid laughter" ( Boxoffice); Boxoffice, Dec. 12, 1940, p. 10. "Easily Langdon's best performance in years" ( Motion Picture Daily). Motion Picture Daily, Dec. 17, 1940, p. 6. In the trade, the picture was noteworthy enough to re-establish both Langdon and Beaudine, albeit in low-budget features. They soon worked steadily at Monogram Pictures.

Misbehaving Husbands turned out to be Langdon's last starring feature; he shared two subsequent leads with co-star . Langdon continued to play mild-mannered goofs in features (almost exclusively for Monogram) and slapstick short subjects for Columbia. Toward the end of the Columbia series, producer tried making Langdon part of a team, and paired him with , , , and finally . with Edward Watz; The Columbia Comedy Shorts, McFarland & Company, 1986, p. 119.


Death and recognition
Langdon suffered a cerebral hemorrhage during the filming of the Republic musical Swingin' on a Rainbow, and died on December 22, 1944. All funeral arrangements were handled by Langdon's old friend . Okuda and Watz, pp. 115–123, 221–222. Langdon was cremated and his ashes interred at Grand View Memorial Park Cemetery in Glendale, California.
(2026). 9780786479924, McFarland & Company. .

At the height of his career, Langdon was making $7,500 per week, a fortune for the times. In his the New York Times wrote that "his whole appeal was a consummate ability to look inexpressibly forlorn when confronted with manifold misfortunes—usually of the domestic type. He was what was known as 'dead-pan'...the feeble smile and owlish blink which had become his stock-in-trade caught on in a big way, and he skyrocketed to fame and fortune..." The New York Times, Obituary, December 23, 1944.

In 1997, his home town of celebrated "Harry Langdon Day" and in 1999 named Harry Langdon Boulevard in his honor. For his contribution to the motion picture industry, Harry Langdon has a star on the Hollywood Walk of Fame at 6925 Hollywood Boulevard.

Langdon is briefly depicted in the biographical film Stan & Ollie, played by , where he is preparing for the shooting of Zenobia with .

Langdon's son, Harry Langdon Jr., went on to a successful career as a Hollywood photographer.

(2026). 9780368057717, LHL Publishing.


Critical appraisal
Film historian Richard Koszarski offers this assessment of Langdon's career:


Partial filmography
† – denotes entry part of the Columbia Pictures short subject series

  • The Sky Scraper aka The Greenhorn (1923)
  • A Tough Tenderfoot aka Horace Greeley, Jr. (1923)
  • A Perfect Nuisance aka The White Wing's Bride (1923)
  • (1924, Short) as Harry - A Shoe Clerk
  • Smile Please (1924, Short) as Otto Focus - the Hero
  • (1924, Short) as Ringside Spectator (uncredited)
  • Shanghaied Lovers (1924, Short) as A Shanghaied Sailor
  • (1924, Short) as Gus Guitar
  • The Cat's Meow (1924, Short) as Eddie Elgin
  • His New Mamma (1924, Short) as The Farmer Boy
  • The First Hundred Years (1924, Short) as A Newly-Wed
  • The Luck o' the Foolish (1924, Short) as Mr. Newlywed
  • The Hansom Cabman (1924, Short) as Harry Doolittle
  • All Night Long (1924, Short) as Harry Hall - the Boy
  • Feet of Mud (1924, Short) as The Boy - Harry Holdem
  • The Sea Squawk (1925, Short) as Sandy McNickel - an Immigrant
  • His Marriage Wow (1925, Short) as The Groom - Harold Hope
  • Boobs in the Wood (1925, Short) as The Boy - Chester Winfield
  • Plain Clothes (1925, Short) as Harvey Carter
  • Remember When? (1925, Short) as Harry Hudson
  • Lucky Stars (1925, Short) as Harry Lamb
  • There He Goes (1925, Short) as Harry
  • Saturday Afternoon (1926, Short) as Harry Higgins
  • Tramp, Tramp, Tramp (1926) as Harry Logan
  • (1926, Short) as The Soldier / King Strudel the 13th of Bomania
  • Ella Cinders (1926) as Harry Langdon (uncredited)
  • The Strong Man (1926) as Paul Bergot
  • (1927) as Harry Shelby
  • His First Flame (1927) as Harry Howells
  • Three's a Crowd (1927) as Harry - the Odd Fellow
  • Fiddlesticks (1927, Short) as Harry Hogan
  • The Chaser (1928) as The Husband
  • Heart Trouble (1928, director) as Harry Van Housen
  • Hotter Than Hot (1929, Short)
  • (1929, Short)
  • (1929, Short) as Dobbs, the butler
  • The Head Guy (1930, Short) as Harry, Temporary Station Master
  • The Fighting Parson (1930, Short) as The Banjo Player
  • The Big Kick (1930, Short) as Harry
  • The Shrimp (1930, Short) as Harry
  • The King (1930, Short) as The King
  • A Soldier's Plaything (1930) as Tim
  • See America Thirst (1930) as Wally
  • The Big Flash (1932, Short) as Harry
  • (1933, Short)
  • Hallelujah, I'm a Bum (1933) as Egghead
  • The Hitchhiker (1933, Short) as The Hitchhiker
  • (1933, Short) as Harry
  • Tied for Life (1933, Short) as The Groom

  • (1933, Short)
  • Hooks and Jabs (1933, Short)
  • The Stage Hand (1933, Short) as Harry
  • My Weakness (1933) as Dan Cupid
  • On Ice (1933, Short)
  • (1933, Short)
  • (1934, Short)
  • Petting Preferred (1934, Short)
  • Counsel on De Fence (1934, †, Short) as Darrow Langdon
  • Shivers (1934, †, Short) as Ichabod Somerset Crop
  • His Bridal Sweet (1935, †, Short) as Himself
  • Love, Honor, and Obey (the Law!) (1935, Short) as Harry
  • The Leather Necker (1935, †, Short)
  • Atlantic Adventure (1935) as Snapper McGillicuddy
  • His Marriage Mix-Up (1935, †, Short)
  • I Don't Remember (1935, †, Short) as Harry Crump
  • (1938, writer)
  • A Doggone Mixup (1938, †, Short) as Himself
  • Stardust (1938) as Otto Schultz
  • Sue My Lawyer (1938, †, Short) as Himself
  • There Goes My Heart (1938) as Minister (uncredited)
  • Zenobia (1939) as Professor McCrackle
  • The Flying Deuces (1939, writer)
  • A Chump at Oxford (1940, writer)
  • Saps at Sea (1940, writer)
  • Goodness! A Ghost (1940, Short)
  • Cold Turkey (1940, †, Short) as Himself
  • Misbehaving Husbands (1940) as Henry Butler
  • Sitting Pretty (1940)
  • Road Show (1941, writer)
  • All-American Co-Ed (1941) as Hap Holden
  • Double Trouble (1941) as Albert 'Bert' Prattle
  • What Makes Lizzy Dizzy? (1942, †, Short) as Harry
  • House of Errors (1942) as Bert
  • Tireman, Spare My Tires (1942, †, Short) as Himself
  • (1942, †, Short) as Harry
  • (1942, †, Short) as Harry
  • A Blitz on the Fritz (1943, †, Short) as Egbert Slipp
  • Blonde and Groom (1943, †, Short) as Harry
  • Here Comes Mr. Zerk (1943, †, Short) as Egbert Slipp
  • Spotlight Scandals (1943) as Oscar Martin
  • To Heir is Human (1944, †, Short) as Harry Fenner
  • Defective Detectives (1944, †, Short) as Harry
  • (1944) as Mr. Whiffle
  • (1944, †, Short)
  • (1944) as Higgins
  • (1945, †, Short)
  • Pistol Packin' Nitwits (1945, †, Short) as Harry
  • Swingin' on a Rainbow (1945) as Chester Willouby (final film role)


See also
  • List of United States comedy films


Further reading
  • Charles Reed Jones, Editor. Breaking Into The Movies. The Unicorn Press, 1927.
  • . Harry Langdon: His Life and Films. 2nd edition. McFarland, 2008.
  • Koszarski, Richard. 1976. Hollywood Directors: 1914-1940. Oxford University Press. Library of Congress Catalog Number: 76-9262.


External links

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